Cool Anthropology: How to engage the public with academic research

As the discipline of Anthropology has grown and changed over the past century, its focus has expanded from a detached documentation of human behavior around the world to an engaged exploration of human behavior across an uneven and ever-changing global landscape. As what we think of as cultures and societies became less bounded, Anthropology began to tackle “big concepts” like globalization, development and, more recently, climate change. But Anthropology has always taken on challenging topics, albeit through its imperfect academic lens.

Zora Neale Hurston - They're Eyes Were Watching God, Margaret Mead - Coming of Age in Samoa, Franz Boas - Race, Language and CultureEvolution, kinship, race, migration, conflict: these foundational areas of study are as relevant now as they were in Boas’s time. Hurston’s anthropological novels have received a resurgence of interest and celebration in light of ongoing, and more public, conversations around the silencing of Black voices. Mead’s ethnography in slim, yellowing paperback still lines shelves in used bookstores. They remind us that public anthropology is not new. Writing for the public – tackling hard issues and making sense of them in ways that informed and engaged non-academics – is part of our disciplinary history. While “writing culture” – and writing culture for the public, however we define this remains an essential part of what anthropologists do, our tool kit has been responsive to changing moments in history, understandings and affordances, and has grown. Digital spaces not only create new publics for anthropological writing, they can redefine the research and dissemination process in ways that allow for a redefinition of what it means to understand humans “across time and space.”

In gratitude for the wealth of scholars who have critically considered why we must continually turn our attention to public work, we offer some considerations of how this work might be done.

IMPERATIVES
As critical events happen and are reported in the news, who should journalists call? Who has deep and far-reaching insights into human behavior? Anthropologists. Since the inception of our collective, we’ve been asking the question: why aren’t anthropologists responding to public issues in public spaces and on public timelines? Why don’t journalists think to call us for our insights? The authors in this section tackle the real imperative for anthropologists to use their expertise to weigh in on critical issues in public spaces in real time. They consider the urgency of anthropological research to engage in real time in critical ways.

1// Making Anthropology Cool: Translating Anthropological Research and Concepts Using Multimedia

Working with others outside anthropology is critical to expanding your reach. As a scholar and researcher, you should focus on what you do well and let your collaborators focus on what they do well. You don’t need to learn how to code, how to become a video editor or penetrate the Miami art scene, and non-anthropologists bring a fresh perspective to research, design thinking and analysis.

Kristina Baines + Victoria Costa // coolanthropology.com

2// Getting Knowledge from the Ivory Tower to the Street: Making Anthropology Matter

I wholeheartedly believe that to be a scholar who engages in the work of translation to the public, one must be as current and fluent as possible in the contemporary landscape of primary research and theoretical debates. And, one must be ready to be, or have been, wrong.

Agustín Fuentes // afuentes.com

3// The Urgency of Now: Crafting and Editing Anthropological Knowledge in Real Time

Jargon is by nature exclusionary; in academia it shamelessly flaunts insiders as superior to those who don’t get it. But, for more general readers, jargon just tags the contents as inaccessible.

Maria D. Vesperi // anthronow.com

THE WORLD WIDE WEB
Writing for an online audience is rich with challenges and possibilities. Both a democratizing and a dismissive space, the internet forces us to consider what we mean when we say we need to meet the public where they are. There are many publics but they are certainly all in online spaces. The authors in this section share their journeys of writing for the internet and ask what makes writing for such a potentially wide public so difficult, and so critical.

4// Cool Enough to Make a Difference

Too often we focus on figuring out culture, inequality, positionality, and all the rest, but we don’t use our same methodological approaches to develop robust answers about what can make a difference in people’s lives.

Daniel H. Lende // neuroanthropology.net

5// PopAnth: The Conversation

I have long felt that if Anthropology has a Unique Sales Proposition (USP), it is our willingness to analyse anything through a cultural lens and, having taken a step back, to ask “What do we do and why do we do it?”

Erin B. Taylor, John McCreery + Gwendolyn Lynch with Laura Miller, Elizabeth Challinor + Celia Emmelhainz // popanth.com

6// Sapiens: An Origins Story

We agreed that the public generally loved well-presented anthropological stories without realizing that what they loved was Anthropology.

Chip Colwell + Leslie Aiello // sapiens.org

REIMAGINING PUBLIC SPACES
All the authors in this volume were asked to consider how they define their “publics.” One of anthropology’s greatest strengths is recognizing nuance in definitions, and not generalizing about “the community” or “the public” without understanding how those are constituted. In this section, the authors play to this strength in the ways they consider space. How do we define a “public” space? Who has access to these spaces? And how can we use anthropology to deepen and widen the experience of these spaces for different and multiple publics, however we define them?

7// Visualizing Immigrant Phoenix: An Urban Visual Ethnographic Collaborative

Just as the project brought minoritized city spaces into the academy for its consideration, so too did the project bring the academy into the community.

Kristin Koptiuch // visualizingimmigrantphoenix.com

8// The Tale is the Map: Virtual Reality Experiences in Anthropology

Our goal with these projects is to document and create representations of the world around us, but also to collaborate with the subjects of our films to create new ways of imagining the spaces around us.

Scott Wilson // Birthplace of the People (VR Film)

9// Creating Inclusive Public Space: Participatory Design Ethnography in a University Library

A participatory research methods course partnership is much more attainable to a broader population.

Krista Harper + Sarah Hutton with Vanesa Girardo Gartner, Elena Sesma, Castriela Hernández Reyes + Caitlin Holmrich // Students as Participatory Design Ethnographers (AnthroZine)

10// Extravagance Outside of Anthropology: How to Sell Analytic Induction to Entrepreneurs

Successful students often attempt to outsmart each other with bigger and brighter illustrations of their mastery because schooling rewards knowledge performance. But knowledge production moves towards what we do not know. If you ask a successful scientist what they are interested in, they do not describe what they have yet to discover.

James Mullooly // theanthrogeek.com

CREATIVES
The peer reviewed academic paper or book is how we are accustomed to learning about anthropological research. But what if the same research were shared in a piece of art? Or a comic? Or a feature film? Or an immersive exhibition? What could this mean for expanding understandings of the research beyond the small group of people who have access to scholarly publications? The authors in this section engage with modalities beyond the words on a page to connect anthropological research to engage academics and non-academics alike with experiences that are grounded in anthropological research but part of our everyday experiences.

11// Rez Colored Glasses: Disentangling Indigenous Lives from the Colonial Gaze

Remember the 90s when Jessica Seinfeld was sneaking spinach and carrots into brownies to make them healthier? Well, we’ve been able to sneak solid anthropological ideas into street art.

Gregg Deal + Kerry Hawk Lessard // greggdeal.com

12// Sonic Anthropology: From Remixing Archives to Reimagining Cultures

Anthropologists are developing new experimental art-based methods of inquiry in research-based exhibitions as an alternative form of ethnographic practice and communication. 

Tom Miller // sonicanthropology.com

13// Engaging a Wider Audience with Fiction Film

It’s ultimately out of my control who will discover or find value in the art I create. If I try to “educate” (or appear to be trying to educate), I risk alienating those who are just looking for a film or television series to entertain them. I end up limiting my potential audience.

Carylanna Taylor // anyamovie.com 

14// Let Us Do More Than Hope: Comics, Complexity and an Anthropology in Pictures and Words

Anthropology knows that “simple” is a lie, and while comics can provide increased accessibility — this is not about faster consumption.

Sally Campbell Galman // sallycampbellgalman.com

ADD TO THE COLLECTION
If you or someone from your network has been producing public scholarship, please fill out and submit the form below. We would love for this page to serve as a space where young, early-in-career and senior scholars as well as self-lead-learners can find anthropologists engaging with communities, initiatives and ideas beyond the ivory tower.
Add Public Scholarship to this Collection
If you select Other, please type in a new category below. Feel free to suggest a new category even if you have selected one from this dropdown.
Please separate by comma.